Gaffers and electricians form the “electric” part of the
phrase “grip and electric.” Gaffers, who usually lead the electrical
department, are responsible for the set’s lighting. They must know how to
create the right mood for each scene, and how to transform any type of lighting
into what the Director of Photography requests. (Some gaffers are given more
latitude in lighting decisions than others.) Electricians work under the
gaffer.
The electrical department works directly with grips, so much
so that sometimes the two jobs are interchangeable on smaller sets. But on
larger operations, gaffers and electricians set the lights in place, then grips
modify them with flags and other accessories. The lights themselves can consist
of tiny mood lights all the way up to giant, sun-simulating monsters.
Generally, there are three ranks in the electrical
department:
Gaffer: This
crewmember leads the department and
has the most control over lighting.
Best Boy Electrician:
This worker serves the same role
as the Best Boy grip: equipment and personnel management. Think of this person
as the team’s foreman.
Electrician:
These perform general tasks under the direction of the Gaffer.
Like their counterparts in the grip department, members of the
electrical department use a wide array of tools and equipment. Generators,
cables and power splitters provide power to the lights, so a working knowledge
of that equipment helps. Electricians often keep wrenches, screwdrivers and
other hand tools in a tool pouch for quick access. They will also have a supply
of power adapters and extension cords (colloquially called “stingers”).
On the more delicate side, a light meter helps decide what
adjustments need to be made. Gloves and safety cables (to hold lights in place)
provide safety, and flashlights help when entering dark areas such as the space
above a ceiling. And of course, gaffer’s tape usually resides on set in large
quantities. Gaffer’s tape is similar to duct tape, but it does not leave a
residue and thus does much less harm to surfaces and equipment.
People who know how to use all that gear are a boost to any
production. Though it may not be clear just from the credits, a good electrical
department makes for a safer set and excellent lighting.
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